Image Quality
This is where the SD10 performs the best. The SD10 is listed at 10.2 (3.4MP x 3) megapixels. The notation reflects 3.4 megapixels for each of the three colors the sensor detects.The camera can produce HIGH, MED, and LOW images that translate to resolutions of 2268x1512, 1512x1008, and 1134x756 pixels. As all images are RAW, there are no other in-camera image-quality settings. The HIGH file setting output obviously makes this a 3.4-megapixel camera. Doesn't it? Not exactly. The SD10 records more than 10 megapixels for every high-resolution image (2268x1512) captured in the lossless .X3F RAW file format.    | | Click on thumbnails to view sample photos. |
The Photo Pro Software will output a double-size image from a HIGH-size file that is 13+ megapixels (4536x3024) in size. The sample photo Spirit of Peoria (see below) and the crop from the Double Size (really 4x) image are examples of what is possible. This is an up/resize algorithm of some type and produces a one-step result that is very usable. It would be desirable for Sigma and Photo Pro to provide more documentation on this topic (see photo Spirit of Peoria and crop). Foveon RAW images have no halos under proper exposure and may look dull or soft. At first glance, the photos straight from the camera can be disappointing, partly because there is no image processing in the camera. In fact, these images can be sharpened to the maximum in Photo Pro, then adjusted and sharpened more with Photoshop or other image editing program! Occasional moire occurs.    | | Click on thumbnails to view sample photos. |
Images derived from the Foveon technology do not exhibit many of the artifacts and problems associated with interpolative Bayer sensor images. Upon magnification, resolution and detail are incredible, but photographically the look is not always the most pleasing. Many photos need an unexpected degree of adjustment to look "right." With a little post-processing, they can be excellent. Some images, like the Piper image (see photo, above), can be printed straight from the camera or displayed with little adjustment. Noise levels with ISO increases were at first disappointing. This is another area where the lack of in-camera processing can lead to frustration. Color and grain noise show up in some images, but third-party software cleans them up quite well. Quite usable results, up to 800 ISO, were consistently achieved. The 1600 ISO setting is not a good option for anything other than using faster shutter speeds or smaller apertures in specific conditions. Most noise problems occurred shooting in marginal conditions with available light while testing worst-case scenarios (see photo "Corgi ISO 800," above). There is a definite learning curve with this camera, and frustration is possible even for experienced photographers. Once the post-processing adjustments become integrated into the image-processing workflow, the SD10's output can be printed at much greater size than that of many other current DSLR's because of the 'clean' data. Software - PhotoPro 2.0 The included companion Photo Pro software addresses the RAW-only image recording of the SD10, and it is more than just a quick-start option. The software acts as a partner with the SD10 in image production. In the Photo Pro package, the user will find image quality adjustments usually included as in-camera controls in other digital SLRs. Some third-party vendors are supporting the .X3F RAW files, but with Photo Pro 2.1, other RAW conversion software is not a must-have addition. Photo Pro is a rugged program that runs well on a limited platform (lowest tested was a notebook 1.5 Ghz processor and 256M of memory) and just gets faster with more resources. The Auto setting in Photo Pro will produce quick output from a shoot. Custom setting creation and storing parameter sets are more than worth the time required. Dynamic range examples demonstrate how much difference a little adjustment can make (see photo, 'Leaves and Sunlight').  |  | | Two Photo Pro adjustment samples. Click on images for larger versions and details. |
Photo Pro in the browser portion has tools for sorting, rotating, preview/thumbnail options, file marking, and output options for color space and image size. There is a magnifier tool for color and pixel examination, a histogram with clipping warnings, and dynamic range control. A separate control panel contains familiar slider controls for exposure, contrast, highlight, shadow, sharpness, saturation, and X3 fill light. This control panel also contains a color wheel control, histogram, and warning range options. The color wheel, as opposed to slider controls, takes some rethinking to use, and it uses the previously mentioned Color Correction (CC) filter units. The neutral/midtone compensation tool works well but is different from just white/black point compensation. There are extra presets compared to the camera in the white balance menu (for example, Monochrome and Restore-to-original) that provide more presets to get close before fine-tuning. Export file format ranges from reduced size JPEG to 16-bit TIFF files. The X3 fill light is a post-shot fill flash combined with a highlight-, midtone-, and shadow-balancing tool. Photo Pro does not contain a crop tool, as the software is for image adjustment, not for editing.  | Sigma's PhotoPro software in the Large Thumbnails browser view. |  | Sigma's PhotoPro software in the Review mode, with the Adjustment Controls window open, to the left. |
Note: A separate flash card reader is strongly recommended, as the camera uses the slower USB 1.1 interface. It is quicker to load files to the hard drive directly via a reader or media slot depending on configuration. Trying to load more than few directly from the camera is too slow. |