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  • Modestly priced lens for the novice, convert or young professional
  • Universal standard lens. High speed allows very precise focusing
  • Compatible with current cameras (except Rolleiflex SLX, 6002/6006)
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    For exclusive use with the SLR 6000 system. A special-purpose wide-angle lens covering an image circle of 104 mm and allowing horizontal and vertical decentration plus tilting of its optical system for depth-of-field control. It retains all automatic shutter and diaphragm functions. Designed for
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  • Modestly priced lens for the novice, convert or young professional
  • Universal telephoto for many pictorial applications. Very useful for portraiture and frame-filling detail
  • Compatible with current cameras (except Rolleiflex SLX, 6002/6006)
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    Being a Tessar design, its weight is surprisingly light. Internal focusing and apochromatic correction are outstanding features of this high-performance lens.
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  • Modestly priced lens for the novice, convert or young professional.
  • Versatile wide-angle lens popular as a standard lens for architectural, interior and landscape photography
  • Compatible with current cameras (except Rolleiflex SLX, 6002/6006)
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    A bellows head requiring a basic extension of 67 mm for infinity focusing. With such an extension, it allows focusing from infinity to a reproduction ratio of 1:1.1. Use of only the central portion of its image circle further enhances its outstanding resolution due to apochromatic correction. These
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    The Distagon T* 35mm f/3.5 lens is the super wide angle lens in the Contax 645 autofocus system. The focal length of 35mm on the Contax 645 camera is approximately equivalent to a 21mm lens in the 35mm format. This is the lens of choice for dramatic wide angle perspectives and an important tool for
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    The 90mm f/3.5 is considered a wide-normal lens. Its 53° angle of view works well for a variety of subjects. Applications include general purpose photography from landscapes to full length or head and shoulders portraits. It works well for close-up photography with or without extension tubes.
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    The 110mm f/2.8 is an excellent, all purpose normal lens. With an f/2.8 maximum aperture, it is the fastest lens in the RZ line, ideal for existing light photography. Applications include general purpose photography from landscapes to portraits and close-up photography with the RZ's built-in bell
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    This ultra-wide-angle lens produces a brilliant, high-contrast image over the entire image field with minimal aberrations, field curvature or distortion.
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    From 2 members

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  • Aperture: ND(controlled by neutral density filters)
  • Built in lens hood
  • Comes with trunk case
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    Hassel Rodenstock APO-Grandagon 4.5/45mm is primarily used for landscape and architectural photography, interiors and documentary photography. It is relatively light and compact. Image quality is very high in the long distance range. Provides very good results in the near range.
    - Angular fie
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    - Angular field (without shift): diagonal 55, side 40.
    - Spectral range: Visible light.
    - Aperture scale: 4.5- 5.
    - Mount: Hasselblad bayonet with helicoid.
    - Filter connection: Attachable Filter holder for all types of 100x100 mm and 100x150 mm filters.
    - Focusing range: 1 m - i (in
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    The 60mm f/3.5 CB Distagon Lens is a fast and compact retro-focus wide-angle lens, ideal for detailed interiors, group portraits and wedding coverage, as well as for many advertising and industrial applications. Even at full aperture in ambient-light conditions, this versatile lens provides sup
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    Hassel Rodenstock APO-Grandagon 4.5/35mm is lightweight and compact. Shallow depth-of-field and compressed perspective. It is the perfect lens for portraits and other similar applications.
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    This standard lens features extremely uniform edge to edge sharpness and flatness of the image field, is suitable for almost any application in general photography. The wide aperture facilitates work in poor light and ensures a bright viewfinder image.
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    The 100 mm is a fast lens particularly suited to low-light situations or for action shots where higher shutter speeds are required. The slightly longer than standard length coupled with its shorter depth-of-field makes it an interesting choice for portraits too in many instances.
  • Aperture range
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    This is the standard lens suited for almost any task in general photography. At full aperture, this planar lens features extremely uniform edge to edge sharpness due to the correction of all aberrations associated with this lens type.
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    The CF f/4 40mm lens allows extreme wide-angle photography. Optimised quality in the close-up focusing range. This lens is the attractive and compact design. It has two focusing rings. This provides the best image quality for any of these three ranges and "floating element"" substantially improv
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    From 1 members

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    Close-up extension tubes for Hasselblad cameras and lenses. Available in 16mm, 32mm, and 56mm lengths.
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    High performance telephoto lens especially suited for sports and wildlife photography. Produces exceptional image quality even at maximum aperture, which also appeals to fashion photographers who often need a shallow depth of field to blur out a distracting background.
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    This lens is frequently used for distortion-free close-up portraits, particularly in fashion photography, long range nature photography, press, sports and stage photography. Despite its long focal length this lens is compact and allows hand held photography. Even at full aperture the Sonnar CF
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    From 1 members

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    CF f/3.5 30mm lens produces images with remarkable coverage. Specially suited for small, narrow interiors and creative compositions. This lens is particulary useful for photographing very confined interiors. Its superb image quality offers the creative photographer new possibilities. Four speci
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    This lens is well suited for wildlife or nature photography as well as fashion photography. The tele-tessar 350 mm can be used to achieve special effects in composition, e.g. to separate a subject from its background or to compress the perspective.
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    The Distagon CF f/3.5 60mm lens is a fast, light and compact wide-angle lens. This Distagon lens provides an object field which is approx. 80% larger than that of the Planar CF 2.8/80 mm lens. Even at full aperture, this retrofocus lens provides very high image quality.
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    The exceptionally high performance and design of the Macro 120mm makes this lens optimal for close-up photography. Image quality and light distribution, even in the close focusing range, are extremely good even at maximum aperture. Focusing, manual or AF, from infinity to 1:1 image scale without ext
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    The 300mm lens is the longest lens in the present HC lens range. It has a fast autofocus reaction making it suitable for certain sports and wildlife applications. High quality at wide apertures also makes it suitable for fashion photographers needing to blur out disturbing backgrounds. This lens als
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    The Converter attaches between the lens and body to increase the focal length by a factor of 1.7. This provides a convenient way to expand your range of lenses.
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    A universal telephoto lens with outstanding performance. The longer focal length is excellent for tightly framed shots, enabling a shallow depth-of-field to be used to make the main subject stand out noticeably.
  • Aperture range: f/4-45
  • Focusing range: 1.8 m - infinity
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    With its slightly wider field of view and greater inherent depth of field for a given f-stop, the Kiev 65mm wideangle is an excellent choice as an alternative to your 80mm normal lens. With this lens, you can maintain a closer working distance for group shots without incurring any curvilinear distor
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    Smaller and lighter than the 250mm f/3.5 lens, this telephoto lens can help you more easily grab those sports and nature shots.
  • Aperture range: f/5.6 to 32
  • Min focus: 98.4 inches (250 centimeters)
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    An all round, wide-angle lens. A versatile all-purpose lens, incorporating a moderate wide-angle effect, and featuring advanced optical design with rear focus mechanism.
  • Aperture range: f/3.5-32
  • Focusing range: 0.6 m - infinity
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    The 2.8/80 is the standard lens for the H1 system. The high-performance design ensures great color correction, a flat image plane, and low distortion. The wide aperture facilitates photography in poor light and provides a bright viewfinder image.
  • Aperture range: f/2.8-32
  • Focusing range: 0
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    - 13.5 Angle of View
    - Fully automatic Diaphragm.
    - Maximum Magnification (Macro Range) 0.11x.
    - 77mm Filter Size.
    - Photometric Method TTL open-aperture metering.
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  • Aperture range: f/2.8-22
  • Min focus: 0.6m (2.0 ft.)
  • Angle view of 50
  • Fully automatic diaphragm
  • Photometric method of TTL open-aperture metering
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    The 45mm wide angle is almost one-half the focal length, providing approximately twice the viewing angle -- and four times the image area -- of your normal lens(80mm).
  • Aperture range: f/3.5 to 22
  • Min focus: 19.7 inches
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    Auto Extension tubes are available in 13, 26 and 52mm lengths. The Auto Extension tubes may be used singly or in any combination. Each tube contains electronic contacts so that all automatic functions are maintained.
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    This new converter is matched for use on the Sonnar T* 140mm f2.8, Sonnar T* 210mm f4 and the new Tele-Apotessar T* 350mm f4. It provides for a 1.4X increase in focal length for the installed lens while only one f-stop of light is lost. The Mutar 1.4X is composed of six elements in five groups.
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    A true telephoto lens well suited for blurring the background from the subject. PE coatings reduce internal flare which makes this lens especially suited for difficult lighting conditions associated with interiors and indoor sports photography.
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    The Zenzanon PS 40mm f/4 is the widest rectilinear lens available for the SQ series. This lens is ideal for interiors, architecture and landscapes, as well as shooting large groups and unique portraits. Zenzanon PS interchangeable lenses were all developed specifically for the SQ series cameras, emp
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    The Zenzanon PE 200mm f/4.5 offers real telephoto effect, pulls in distant subjects and can give soft background effects. This lens is fully corrected for chromatic aberration and gives sharp depiction and superior contrast. Zenzanon PE interchangeable lenses were all developed specifically for the
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    The Bronica 50-100mm f/4-5.6 is the first zoom lens developed for the Bronica 6x6 format. The image quality is improved from center to side; distortion is thoroughly compensated for throughout the zoom range and relative illumination is increased by the use of two large-sized hybrid aspherical lense
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    The Macro Zenzanon PG 110mm f/4 is designed to compensate for aberrations in short-distance macro photography, but it can also be used as a general purpose lens. The minimum focusing distance is 66cm (2.2 feet) yielding a magnification ratio of 1:4. This lens is perfect for commercial photography an
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    The Zenzanon-S 500mm f/8 is an excellent low-cost alternative to Bronicas top-of-the-line 500mm PS lens. Featuring a built-in lens hood, rotating tripod collar and excellent performance. Zenzanon PS interchangeable lenses were all developed specifically for the SQ series cameras, employing computer-
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    The Bronica 45mm f/4 Zenzanon RF lens employs a built-in shutter exclusively designed for the Bronica 645RF camera and is equivalent to 28mm in 35mm conversion with a 75.1° angle of view. The sharp, highly vivid images and high contrast make it a fine example of symmetrical wideangle lens design. Co
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    The Macro Zenzanon PS 110mm f/4.5 is the only lens for the 6 x 6cm format that features 1:1 magnification without additional accessories. The unique ability to focus from infinity down to 14.5 ", combined with outstanding optical performance, makes this lens ideal for commercial macro photography as
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