My Dream Date With The Leica M9

Camera Reviews Featured Leica Photography Tips

Leica M9 Experience
I’ve wanted to spend some quality time with the Leica M9 since it was announced – actually since Leica introduced their original digital rangefinder, the M8, in 2006. I’m mostly an outdoor and action sports photographer so I’m used to shooting with fast, auto focus digital SLRs and telephoto zoom lenses. Shooting with the M9 is very different and requires a real paradigm shift in the way you see and approach your subject. That’s actually a big part of the attraction. And the beauty of the simple form-follows-function design and solid, metallic feel can’t be denied.

Leica Akademie workshop - taken with Leica M9

I learned to take pictures in the eighties with a manual SLR camera and 50mm prime lens so the M9 feels very nice. My left hand naturally goes to the manual focus ring and aperture control dial and feels right at home. There is a learning curve, though. One day behind the M9 viewfinder hasn’t made me an expert. But once I got a feel for the viewfinder, manual focus ring and exposure compensation, I did feel like I was shooting differently. It’s hard to say exactly why but the rangefinder does lend itself to people and street photography. One thing I noticed is that for a lot of subjects, the M9′s manual focus is actually easier and faster than auto focus. A good example is focusing on a subject behind a chain link fence (sample photo). This is something that auto focus cameras have a very hard time doing. But with the M9 you just look through the viewfinder and turn the focus ring until your focus is exactly where you want it. You can also use the depth-of-field guide on the lenses for zone focusing and to determine the hyperfocal distance – something that’s nearly impossible with auto focus zoom lenses. Without going into a lengthy explanation (Visit this Wikipedia page for tons of technical depth-of-field info), the numbers below the focusing ring on the lens allow you set your depth-of-field and focus without looking through the viewfinder. This is a great technique for street photography and candid portraits where you know what your focus range is – just use the depth-of-field guide on your lens to set your focus and then concentrate on timing and composition.

Leica photographer Alan Fuchs - taken with the Leica M9

Due to weather, we spent most of our workshop time in the classroom so most of my Leica M9 photos are of the other guys in the class. Because of the low light I shot a most these photos at f/4 or larger apertures and ISO 640 or 800. Because of the large apertures, I think the indoor people photos I took with the M9 exhibit some of that magical Leica image quality I mentioned earlier in this article. It makes it tempting to always shoot wide open with the M9.

On the street, at smaller apertures, the sharpness of the Summicron-M 35mm f/2 and Summicron-M 75mm f/2 lenses became a lot more apparent. Unlike auto focus cameras where there’s sort of an acceptable range of sharpness – especially with continuous auto focus sports photos – with the Leica you’re either on or off. When you’re out of focus it’s painfully obvious. And since there’s no auto focus you can’t blame it on the camera, either. I did a have a bit of trouble composing with the M9. The frame lines in the viewfinder aren’t accurate when you’re not exactly one meter away. That’s something that I’d learn to compensate for but since it was new to me I just had to check my photos on the LCD display (something that Leica M film photographers can’t do). Even more difficult was composing parallel to the horizon. It was no big deal in the classroom where I didn’t really care about straight photos but I had to straighten most of my street photos in post. I just couldn’t tell when I was square using the rangefinder.

Salt Lake City street photography - Leica M9

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About the author: Photo-John

Photo-John, a.k.a. John Shafer, is the managing editor of PhotographyREVIEW.com and has been since the site launched back in 1999. He's an avid outdoor enthusiast and spends as much time as possible on his mountain bike, hiking or skiing in the mountains. He's been taking pictures for ever and ever, and never goes anywhere without a camera.


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  • David says:

    Hi
    You have done a good job of selling the M9 to more lust afters and used all the cliches Leica AG love to hear just as much as the till ringing.
    The fact is it is a huge price to pay and if you were to do a comparison against a range of top DSLRs with equivalent fixed lenses or even fit the superb Zeiss lenses the differences are not noticeable or quantified by the price. Some pros and serious photographers buy Leicas to shoot with but most are bought for collection or male/female jewellery.
    Am I anti Leica – NO, I have one and love it but focusing with an M was fast and accurate 40 years ago but not in 2011.
    How much do I use my M – 10% of the time.
    Are the images better than my FF DSLR, at A2 on a wall no one can tell in the same way no one could tell when I put a film image next to a digitally produced image.
    The myth goes on but maybe it should be called
    Leica Faberge – all that money for a body and you have to pay extra for dioptre correction.
    David

  • I’ve shot with Leica’s and top notch Canon’s and Nikon’s and there’s no comparison, sorry. Leica is a far superior precision product, not a myth but a reality. It all depends what you use it for; DSLR’s are great if you need speed, Leica’s are made for a different type of photographer.

  • David says:

    Sorry I have to disagree, precision product yes – the myth says… street photography from the the hip, descreet because it is small, easy to focus, great quality, as used by RC,HCB et al.

    Street- see..http://www.thesartorialist.com/-shoots with a Canon+ zoom and I can give you many more.
    Discreet/small-yes it is disceeet but looking large thses days.

    Easy to focus-if you pre focus and set 8 or 11 it is actualy quite hard to focus and its advantage of the past has gone. also why put F.95 on a camera were you do nsee tee the effect until after you take the shot.

    Great quality – unless you want above 320 ISO

    I wonder what the greats would use today when they were working you had 2 choices- Leica and Contax.

    I am a Leica user and owner but we have to support the myth otherwise we look pretty dumb spending all that money and using a Rolls Royce to got to the mall or school run.

  • nocklebeast says:

    I look forward to the day when Leica moves beyond the simple pair of rectangles in the viewfinder that are only accurate when focused at 1 meter to a system of automatic parallax compensation in viewfinder as lens focused like the Voightlander Bessa III.

  • Disagreements are accepted, that’s the reason why there are different brands for different kind of shooters. If you love to use a Canon for your work then kudos to you, I don’t get into the technical specs, I find it to be a total waste of time; the art comes first in my view, I do a lot of documentary work in third world countries, and to me Leica far exceeds my expectations, taking aside the fact that I can leave behind tons of weight from my Nikon and Canon bodies.

    I started in film 30 years ago and I produced the same quality imagery as I do now without all the bells & whistles.

    And at the end of the day… Leica makes my work far more pleasurable, and that’s the bottom line.

  • Photo-John says:

    Thanks for the comments, guys. They add to my article, which is only one guy’s limited experience and opinion.

    I have to say that I agree with all of you to some extent and Mjimenez the most. I have no complaints about the M9′s image quality and I think it’s totally useable above ISO 320. One thng that has to be acknowledged about the M9 is that it elicits an emotional response from photographers that other cameras don’t. I tried to get that across in the article and I hope it came through. In spite of there being other cameras now that may be better measurable performers, there’s something about the M9 that makes it desirable anyway. Whether that emotional response is worth $7000 for a camera body alone, that’s something every photographer needs to decide for themselves. Or let their bank account decide. I can’t afford an M9 so the decision is made for me :-)

  • Daniel says:

    Mjimenezphoto … you are right on in your remarks … I shoot both Nikon and Leica … two different tools for two different jobs. As an avid fly angler, I’d never take my 4 weight, 6 foot Orvis bamboo rod to FL for tarpon fishing. The real issue is, why do camera companies spend millions to convenience buyers you only need one camera.

  • Greg says:

    Sooooo lucky. But with you I could never stop using a DSLR but an M9 would certainly get some use if had one, but for now I will settle for a Nex……
    The only Leicas I can afford are 20 years old.

  • Shuk Man Yu says:

    We Chinese have a saying – ‘one hundred different types of people feed on one type of rice’! There are so many different types of people in the world. You cannot really find a single product/system that suits everyone; even an iPhone that a lot of people I know disllike using it. I am an engineer and starting from Univiersity, I have a belief as first told by my lecturues/professors that there is no perfect system on earth so that we have to engineer system to suit different application. If there is a perfect system, it will result in only one system in existence. Same as a camera system, if there is a perfect camera system that suits every application and every person, there is only one system left! It would be needless for us to agrue about which system is better!

    I have several Leica cameras and lenses together with a Nikon F2 with four lenses, a Hasselblad 500 C/M with one lens and a Rolleiflex 2.8. I use different camera in different occasion but I must say after purchasing my M9 last year, I have mostly used it as it is so easy to use and has great pictures! It is a great enjoyment in using it compared with my other cameras,

  • Photo-John says:

    Very nice thoughts, Shuk Man Yu. I don’t think the Leica M9 is the most versatile camera in the world. However, what it does, it does extremely well. And no one can deny the wonderful look, feel and history behind the camera. I sure wish I could afford one :-)

    I would be very pleased if you would write a user review for your Leica M9. Here’s a link to our M9 user review page: http://www.photographyreview.com/cat/cameras/digital-cameras/digital-slrs/leica/PRD_446288_3127crx.aspx

    Thanks for the comment!

  • jason gold says:

    i differ about the Leica vs Everybody else! i prefer a SLR/DSLR viewfinder.Why? The RF vwfndr shows frames that are very inaccurate. More so as the models got newer.. My M6TTL is pathetic.The 50mm frame a joke! The 35mm closer. The 28mm almost perfect. The other great myth! Everything is out of focus except the fine area of focus in a SLR! If you fit a 28mm/35mm lens to a SLR, EVERYTHING appears sharp.Way harder to get exact focus. The area outside the frame in a vwfndr so small, you have no time to adjust if someone walks into frame..OK the SLR may be blind at that moment. I have used the M8 and it was noisy, very poor focus accuracy with longer lens(90mm at full aperture f2). 90mm is a joke compared to SLR lenses.. A 105mm/135mm are jumping off points for longer lenses. Real telephoto like 200,300,500mm. The quality of Leica. Highly exaggerated. All my Leicas are my MOST repaired and serviced cameras. My K-1000 Pentax never serviced! New in 1988. The Spotmatic bought used a few years ago, has also never been serviced! Same age as my M3….The lenses are a bit better. Not a lot, a bit. Full aperture a stop or two over Canon,Nikon and Pentax. Some Minolta lenses were used on Leica R, the Leica SLR system. Renamed the Rokkors. I will not say which.
    Very pleased with the review. Would i buy a Leica M9 if I won the lottery? Sure! But only after getting a high end DSLR , from N or C.

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